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The New Cue #486 April 25: Chartreuse, Sunflower Bean, Curtis Harding, Brian Jonestown Massacre, Squid, Tyler, The Creator, The Sha Sha Shaminals, Madeline Kenney, Natalie Bergman, S.G. Goodman
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The New Cue #486 April 25: Chartreuse, Sunflower Bean, Curtis Harding, Brian Jonestown Massacre, Squid, Tyler, The Creator, The Sha Sha Shaminals, Madeline Kenney, Natalie Bergman, S.G. Goodman

“I love seeing the weirdos win.”

Apr 25, 2025
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Hello,

We are back once again for the Recommender master. We can’t fix a car. We can’t put up a shelf. We don’t know the way to Amarillo. But we do know how to bloody Recommend and we’re going to Recommend you so hard that we legally have to put up a paywall between this and our Recommending because only trusted New Cue subscribers can handle it. It’s also a legal requirement that we keep writing the word Recommend with a capital letter even though it looks weird.

You can join the gang here. It costs £5 a month, which means we can take home some hard-earned dosh from this insane enterprise and you can stop feeling guilty for being such a freeloader:

“HOW DARE YOU CALL ME A FREELOADER! IT’S AN OUTRAGE! HERE, TAKE MY FIVER A MONTH AND TAKE THAT INSULT BACK!”

OK, here we go, this edition is about to begin. Here’s this week’s playlist:

And here it is for the Apple Music squad. See you on Monday for more TNC magic.

Ted and Niall


Recommender Pt. 1

Niall Doherty

There’s been some excellent new music released this week but I had to take a few steps back first and catch up on what I missed during the Easter break. It was just impossible to concentrate on music thinking about what a monumentally big Friday Jesus had that he slept in til Sunday and then went at it so hard that he ascended into heaven. I dedicate all my hungover Mondays to that nutter.

First up on my little rewind is the new single from Black Country quartet Chartreuse, a very pleasing number called Sequence Of Voices that sounds like a folk song having a panic attack, all urgent acoustic strums, tumbling drums and lightly anguished vocals. It resembles pre-mucking around Bon Iver taking on the more uptempo moments of In Rainbows-era Radiohead, which I think I would’ve said without the involvement of The Smile producer Sam Petts-Davies but I can’t be sure. I wouldn’t trust me.

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